Friday, September 5, 2008

Beatrix Potter - Renaissance Woman


In my opinion Beatrix Potter was a true Renaissance woman, and ... she was bloody brilliant. Not only was she a storyteller and illustrator extraordinaire, she was very observant, principled, determined and delightful person. She was way ahead of her time. In fact at first she did lots of watercolour studies of mushrooms and fungi amongst other things. Her powers of observation led her to discover the unknown reproductive qualities, the underground Mycellia of fungi. Of course she wasn't a scientist and was a mere woman so who would listen to her... you guessed it nobody as in those days it was the old boys club at Kew Gardens.
I have so much to say Idon't know where to start except to say you must read Linda Lear's biography, Beatrix Potter and do catch Miss Potter the movie, delightful. Tommorow the picture letters.
Just a tidbit today!
Miss Potter poster image-Wikipedia

Thursday, September 4, 2008

More on the Willows

Mole in the Wildwood


As promised I wanted to share a little more on the Wind in the Willows. For me one of the most interesting things about the Wind in the Willows is that it is based on the letters of Kenneth Grahame to his son Alastair or his affectionate handle 'mouse'. A bedtime story nightly for mouse by Grahame was of a ritual importance in the family. So stories of ratty, mole & toad developed. When Alastair was nearly seven he refused point blank to go on a holiday with his nursery governess (Miss Stott) because he would miss the adventures of toad. His dad promised to provide further installments by letters and luckily Miss Stott had the for site to keep the letters which would form the basis of the Wind in the Willows. The letters themselves account for almost a third of the book along with earlier stories on the mole and water rat. The Pipers at the Gates of Dawn & Wayfarers All, were the last two stories added.
Originally Grahame did not intend to publish the stories; they were partly educational for his son, whose behavior had similarities with the reckless and selfish Toad. It was Elspeth's (Grahame's wife) idea to use the letters as the basis of the book. My Dearest Mouse, The Wind in the Willows Letters includes copies of the actual letters.
The book was not an immediate success, but would achieve wider popularity thanks to the 1930 stage version, "Toad of Toad Hall" by A. A. Milne (1882-1956), whose "Winnie-the-Pooh" (1926) was interestingly created for his own son Christopher Robin. Milne focused on the animals, cutting out most of Grahame's romantic fantasy. In addition to ill health, Grahame's retirement was precipitated in 1903 by a strange, possibly political, shooting incident at the Bank of England where Grahame was secretary... Grahame was shot at three times, all of them missed. Grahame retired from his work in 1908, officially because of health reasons, but perhaps also under pressure from his employees. It was in his retirement that he took up seriously the task of writing the book. Grahame's manuscript was rejected by an American publisher, but eventually the book appeared in 1908 in England. It was issued later that year in the US by Scribner's. First it was received with mild enthusiasm, but E.H. Shephard's illustrations in the 1932 edition and Grahame's animal characterizations started soon to gain fame.
Probably the most loved of all children's illustrators, Beatrix Potter, wrote picture letters to her former governesses children, and many of them. It was at the suggestion of Annie Moore (Her Former governess) that she decided to gather them back and from them the many tales of Beatrix Potter emerged. Beatrix Potter was a true Renaissance woman and I will be devoting numerous posts on her in the future.
Sources & Credits:Petri Liukkonen, Wikipedia, My Dearest Mouse, Image courtesy Charles van Sandwyk

Monday, September 1, 2008

More on the Kelmscott Chaucer


'Here ends the Book of the Works of Geoffrey Chaucer, edited by F.S. Ellis; ornamented with pictures designed by Sir Edward Burne Jones, and engraved on wood byW.H Hooper. Printed by me William Morris at the Kelmscott Press, Upper Mall, Hammersmith, in the county of Middlesex. Finished on the 8th day of May 1896.'
From the Colophon, Kelmscott Chaucer ( Colophon; Notes at the end of a book on the production details of the book)

The name Kelmscott is after Morris's residence Kelmscott Manor in Gloustershire. Many of the manuscripts of the Chaucer's writings were fragmentary. Morris used the Ellesmere manuscripts (Named after manuscipts owned by the Earl of Ellesmere) which Walter William Skeat was using as the basis for a seven volume edition of Chaucer. These were regarded as the best. This was the text that Morris used.
I have the The World Publishing Facsimile which is slightly smaller than the original. It contains the complete text and all 87 woodcuts by Burne-Jones and the borders ,decorations and initials drawn by William Morris. The decorative frames around the images by Burne-Jones were also done by Morris. It was written in Middle English.A glossary of Chucerian words is included so you can read the text and understand what you are reading. This is a big plus.There is a very interesting introduction with lots of ancillary information.
The Chaucer was the 40th of a total of 53 books that the Kelmscott Press produced between 1891 & 1898. Morris chose Chaucer type which he himself designed. It was not designed specifically for the Kelmscott Chaucer. Morris designed and used three fonts; Golden, Troy and Chaucer.
An all linen paper was specially made for the edition by Joseph Batchelor at his mill near Ashford, Kent. The watermark was a perch with a spray in its mouth. Ink came from the German firm of Jaenecke.
Edward Burne-Jones spent every Sunday on the book’s 87 illustrations, working long hours in fear that Morris might die before the project was finished. His pencil drawings were painted over in Chinese white and Indian ink by R. Catterson-Smith, whose interpretive role is often overlooked. The black and white designs were then transferred to wooden blocks and engraved by William Harcourt Hooper. The individual wood engravings by Hooper took upwards of a week each to complete.
Morris oversaw all aspects of production and the book was printed initially on one press but as the edition expanded a second press was added. The type was set by hand and the text and engravings were printed letterpress.
A correction to my previous post. There were 425 copies produced. The Kelmscott Chaucer was initially to be a 325 volume edition but it was over subscribed prior to publication. The complete edition was 425 paper copies. 48 of these were bound in white pigskin by Thomas J. Cobden-Sanderson of the Doves Bindery (the precursor to the Doves Press). There were 13 copies on vellum. The elaborate stamping took upwards of 6 days per volume to complete. The design was by Morris. (The World Edition cover is a facsimile of the stamped pigskin). The entire edition required 1 year, 10 months & 7 days to complete.
William Morris entered the private press business at the age of 55 and in 8 short years left a legacy in design and fine books that is truly monumental. The press was a break even operation. He died in 1896 less than four months after the Chaucer was published. Eleven more books already in production were finished but the press ultimately died with Morris.



Sources- Introduction to The World Publishing Facsimile, The British Library

Sunday, August 31, 2008

Sunday

Medici Shield, Sienna- Polaroid Photo Transfer by Stephen Murphy


Sunday on our house includes the call from relatives at 9 am. It's a regular event. Terri, my better half is on the phone for an hour or so with her sister in Denver. I usually start breakfast to be ready when the phone call is done. One of my favourite things to make is a fritatta. I fry up left over veges and alike , add the eggs, herbs and let them part cook on the stove top and then pop it in the oven to finish it off. Yum.

I don't do an inordinate amount of cooking but I try. I love recipe books with good illustrations or photos in them. Frances Mayes lavishly illustrated books are a favourite and they have some pretty good recipes interspersed throughout. I do like looking the pictures of the finished recipe. 'In Tuscany' is one of the best for recipes.

Friday, August 29, 2008

A River Runs Through It

The Official Movie Poster





' In our family there was no clear line between religion and fly fishing.'


'I am haunted by waters.'


The first & closing lines to a classic American novella. The last paragraph of this book is a beautiful meditation on life.
All this talk of rivers brings me to this wonderful book where the river and fly fishing ties the life of one Presbyterian family together while providing a refuge and a possible moment of grace. The book, A River Runs Through It was written by Norman Maclean and based on the authors experiences. Norman Maclean worked summers in logging camps and for The US Forest Service in his youth before becoming a professor of English at The University of Chicago. He has written one other book on the Mann Gulch Forest Fire in 1949 in Montana, Young Men and Fire. A River Runs Through It is a great read and if you get a chance pick up the illustrated version by Barry Moser, one of North Americas finest wood engravers. The Moser edition was issued in a deluxe edition of 6 copies and a Ltd Edition of 2oo both printed letterpress by the Penny Royal Press. These were signed by both Maclean and Moser but only after the publisher agreed to reissue the colophon page as the fly tyer, George Croonenberghs’ name was misspelled and Maclean would not sign them until it was corrected. It was Croonenberghs’ flies that were used as the models for a number of engravings in the book. It's also available in a trade hard back published by the University of Chicago Press. His stark engravings are a wonderful accompaniment to the text.
Moser's engravings are sometimes very dark. His rendition of Mary Shelly's Frankenstein is downright scary. His landmark treatment of the New Testament in The Pennyroyal Caxton Edition is monumental & ground breaking if not controversial.
The movie by Robert Redford is haunting. The fishing scenes in this movie are nothing short of mystical & spectacular; then there is Brad Pitt too. Although it's a tragic story, the film and the book has some wonderful moments of merriment including Norman's girlfriend's brother who gets a little too much sun while "fishing". I do love Redford's films. Two of my other favourites are The Milagro Beanfield War and The Bridges of Madison County (A real tear jerker, the book too.)
Most of the book focuses on The Big Backfoot river, fishing and the camaraderie of both Norman and his brother Paul. I do hope you get a chance to read this book someday.

'Eventually all things merge into one and a river runs through it'




The Willows



I've been fishing for Cutthroats the past two days. It's been a world way for me. No phones or computers just the soothing sound of the river, birds, animals and everything else that goes with a day on two on the river.
It got me thinking about "The Willows" and then I read Margaret's post about Tasha Tudor & I knew it was time for The Wind in The Willows (The Willows) by Kenneth Grahame, one of my all time favourite reads. It did and still does take me away, along the byways and the hedgerows of the English country side. I love the characters and I do like 'Ol Toad, the scoundrel. It's the story of Mole waking up out of hibernation and meeting Ratty & their madcap adventures with Toad . It's about boats and the river the discovery of the automobile and chance encounters during their many laughable adventures together and separately. I particularly like the corrupting influence of Toad over Ratty and Mole when before they know it he has talked them into hopping in a horse draw Gypsy style caravan and going on an adventure in the countryside.
The genesis of the Willows was the story letters from Kenneth Grahame to his entertain his son, Alister. Alister was a tempestuous boy by all accounts and sickly. Upon retirement as Secretary for the Bank of England he started to collect the ideas from the letters and write the book. There are some good reads on the letters and on Grahame who had somewhat of a tragic life. He also wrote other children's books including Dream Days,The Golden Days and The Reluctant Dragon.
The Willows was published October 4 1908, making this year it's 100Th anniversary. I've been planning around this for some time as I will doing a feature show in the gallery on 'The Willows" in October to co-incide with the anniversary. We are going to have a good selection of early editions including a 1st American Edition, The Nancy Burkhart illustrated edition, the 1st Edition illustrated by Earnest Shepard. We will also have illustrated editions by Inga Moore, Michel Plexis, Arthur Rackham, Tasha Tudor and Charles Van Sandwyk. If you have any suggestions for other illustrated editions please share.
Vancouver artist Charles van Sandwyk, was commissioned by the Folio Society of London to re illustrate the Willows on 2004. The book has won an award for cover design and comes in a handsome slipcase with a willows design by Charles. It was 2 years in the making and includes many line drawings as well as colour illustrations. The coloured illustrations are a mix of pen & ink and watercolour or sepia/handcoloured etchings. I think Charles has done the Willows proud. He has captured the characters so well and there is a wonderful warmth in the illustrations. He travelled to England and visited the Cookham Dean area and spent time on the river Thames there to do study sketches. An illustrators limited edition of this was issued by Charles with a signed etching bound in & they were snapped up very quickly. We will be exhibiting the original art of Charles Van Sandwyk from the Willows as a part of this show.
If you haven't read it lately I encourage you to pick up a copy, have a cup of tea (chocolate covered biscuits an essential accompaniment), relax by the fire (falls nip is in the air) and then drift away.

More to come on this.

Tuesday, August 26, 2008

The Private Press

The private press is a small press that publishes its own works. In this day and age they are few and far between. In Canada we have some wonderful private presses operating including a couple from the west coast called Barbarian Press & Heavenly Monkey. In many cases the books being printed are printed by hand using a hand press. Usually the text is illustrated with woodcuts, wood-engravings or etchings and makes for a very attractive volume.

The type is set by hand using either cold type(Individual pieces ie letters) or hot type where a machine produces lines of type as the result of keypunch similar to a type writer. Hot type can be melted down and reused whereas cold type is dis-assembled and used again. Once the type is set it is rolled with ink and printed by hand usually onto quality acid free handmade paper. Once the pages including text and illustration are printed they are cut and collated and usally hand bound and some cases a protective slipcase or box is created specifically to house that volume. On a very special limited edition a suite of extra copies of the illustrations will be included and may even be handcoloured and signed by the artist. These editions are small and typically can be 20 - 200 copies only so they are highly collectable.



Being a fan of the book arts I have to spend a little time on my hero William Morris. In an age when the machine was taking over he went the other direction and decided that quality was of the utmost importance. In setting up Kelmscott Press he went against the grain and produced quality, letterpress printed laborousily illustrated and then hand bound.



Probably the most famous of all private press books the Kelmscott Chaucer, as it is called, was printed in a small edition (125 I think) by William Morris. It is illustrated by Burne Jones and has very elaborate designs by William Morris. Originally it was bound in pig skin with a very detailed tooled design. I have a facsimile copy by World Press that includes a cover with the original design. Recently one at auction fetched $140,000.00. A lot of them are in institutional collections.



Other famous presses include the Doves Press, The Golden Cockerel Press & Gehenna Press.